ウェブトゥーン市場レポートタイプ別(コメディ、アクション、SF、ホラー、ロマンス、その他)、収益モデル別(サブスクリプションベース、広告ベース)、アプリケーション別(モバイル、ラップトップ、タブレット、テレビ)、地域別 2025-2033

ウェブトゥーン市場レポートタイプ別(コメディ、アクション、SF、ホラー、ロマンス、その他)、収益モデル別(サブスクリプションベース、広告ベース)、アプリケーション別(モバイル、ラップトップ、タブレット、テレビ)、地域別 2025-2033

Report Format: PDF+Excel | Report ID: SR112025A26049

Language of the Report – English

ただし、追加料金で日本語のレポートが入手できる場合もある。

1 Preface

2 Scope and Methodology
2.1 Objectives of the Study
2.2 Stakeholders
2.3 Data Sources
2.3.1 Primary Sources
2.3.2 Secondary Sources
2.4 Market Estimation
2.4.1 Bottom-Up Approach
2.4.2 Top-Down Approach
2.5 Forecasting Methodology

3 Executive Summary

4 Global Webtoons Market - Introduction
4.1 Overview
4.2 Market Dynamics
4.3 Industry Trends
4.4 Competitive Intelligence

5 Global Webtoons Market Landscape
5.1 Historical and Current Market Trends (2019-2024)
5.2 Market Forecast (2025-2033)

6 Global Webtoons Market - Breakup by Type
6.1 Comedy

6.1.1 Overview
6.1.2 Historical and Current Market Trends (2019-2024)
6.1.3 Market Segmentation
6.1.4 Market Forecast (2025-2033)
6.2 Action
6.2.1 Overview
6.2.2 Historical and Current Market Trends (2019-2024)
6.2.3 Market Segmentation
6.2.4 Market Forecast (2025-2033)
6.3 Sci-Fi
6.3.1 Overview
6.3.2 Historical and Current Market Trends (2019-2024)
6.3.3 Market Segmentation
6.3.4 Market Forecast (2025-2033)
6.4 Horror
6.4.1 Overview
6.4.2 Historical and Current Market Trends (2019-2024)
6.4.3 Market Segmentation
6.4.4 Market Forecast (2025-2033)
6.5 Romance
6.5.1 Overview
6.5.2 Historical and Current Market Trends (2019-2024)
6.5.3 Market Segmentation
6.5.4 Market Forecast (2025-2033)
6.6 Others
6.6.1 Historical and Current Market Trends (2019-2024)
6.6.2 Market Forecast (2025-2033)
6.7 Attractive Investment Proposition by Type

7 Global Webtoons Market - Breakup by Revenue Model
7.1 Subscription Based

7.1.1 Overview
7.1.2 Historical and Current Market Trends (2019-2024)
7.1.3 Market Segmentation
7.1.4 Market Forecast (2025-2033)
7.2 Advertisement Based
7.2.1 Overview
7.2.2 Historical and Current Market Trends (2019-2024)
7.2.3 Market Segmentation
7.2.4 Market Forecast (2025-2033)
7.3 Attractive Investment Proposition by Revenue Model

8 Global Webtoons Market - Breakup by Application
8.1 Mobile

8.1.1 Overview
8.1.2 Historical and Current Market Trends (2019-2024)
8.1.3 Market Segmentation
8.1.4 Market Forecast (2025-2033)
8.2 Laptop
8.2.1 Overview
8.2.2 Historical and Current Market Trends (2019-2024)
8.2.3 Market Segmentation
8.2.4 Market Forecast (2025-2033)
8.3 Tablets
8.3.1 Overview
8.3.2 Historical and Current Market Trends (2019-2024)
8.3.3 Market Segmentation
8.3.4 Market Forecast (2025-2033)
8.4 Television
8.4.1 Overview
8.4.2 Historical and Current Market Trends (2019-2024)
8.4.3 Market Segmentation
8.4.4 Market Forecast (2025-2033)
8.5 Attractive Investment Proposition by Application

9 Global Webtoons Market – Breakup by Region
9.1 North America
9.1.1 United States

9.1.1.1 Market Drivers
9.1.1.2 Historical and Current Market Trends (2019-2024)
9.1.1.3 Market Breakup by Type
9.1.1.4 Market Breakup by Revenue Model
9.1.1.5 Market Breakup by Application
9.1.1.6 Key Players
9.1.1.7 Market Forecast (2025-2033)
9.1.2 Canada
9.1.2.1 Market Drivers
9.1.2.2 Historical and Current Market Trends (2019-2024)
9.1.2.3 Market Breakup by Type
9.1.2.4 Market Breakup by Revenue Model
9.1.2.5 Market Breakup by Application
9.1.2.6 Key Players
9.1.2.7 Market Forecast (2025-2033)
9.2 Europe
9.2.1 Germany

9.2.1.1 Market Drivers
9.2.1.2 Historical and Current Market Trends (2019-2024)
9.2.1.3 Market Breakup by Type
9.2.1.4 Market Breakup by Revenue Model
9.2.1.5 Market Breakup by Application
9.2.1.6 Key Players
9.2.1.7 Market Forecast (2025-2033)
9.2.2 France
9.2.2.1 Market Drivers
9.2.2.2 Historical and Current Market Trends (2019-2024)
9.2.2.3 Market Breakup by Type
9.2.2.4 Market Breakup by Revenue Model
9.2.2.5 Market Breakup by Application
9.2.2.6 Key Players
9.2.2.7 Market Forecast (2025-2033)
9.2.3 United Kingdom
9.2.3.1 Market Drivers
9.2.3.2 Historical and Current Market Trends (2019-2024)
9.2.3.3 Market Breakup by Type
9.2.3.4 Market Breakup by Revenue Model
9.2.3.5 Market Breakup by Application
9.2.3.6 Key Players
9.2.3.7 Market Forecast (2025-2033)
9.2.4 Italy
9.2.4.1 Market Drivers
9.2.4.2 Historical and Current Market Trends (2019-2024)
9.2.4.3 Market Breakup by Type
9.2.4.4 Market Breakup by Revenue Model
9.2.4.5 Market Breakup by Application
9.2.4.6 Key Players
9.2.4.7 Market Forecast (2025-2033)
9.2.5 Spain
9.2.5.1 Market Drivers
9.2.5.2 Historical and Current Market Trends (2019-2024)
9.2.5.3 Market Breakup by Type
9.2.5.4 Market Breakup by Revenue Model
9.2.5.5 Market Breakup by Application
9.2.5.6 Key Players
9.2.5.7 Market Forecast (2025-2033)
9.2.6 Others
9.2.6.1 Historical and Current Market Trends (2019-2024)
9.2.6.2 Market Forecast (2025-2033)
9.3 Asia Pacific
9.3.1 China

9.3.1.1 Market Drivers
9.3.1.2 Historical and Current Market Trends (2019-2024)
9.3.1.3 Market Breakup by Type
9.3.1.4 Market Breakup by Revenue Model
9.3.1.5 Market Breakup by Application
9.3.1.6 Key Players
9.3.1.7 Market Forecast (2025-2033)
9.3.2 Japan
9.3.2.1 Market Drivers
9.3.2.2 Historical and Current Market Trends (2019-2024)
9.3.2.3 Market Breakup by Type
9.3.2.4 Market Breakup by Revenue Model
9.3.2.5 Market Breakup by Application
9.3.2.6 Key Players
9.3.2.7 Market Forecast (2025-2033)
9.3.3 India
9.3.3.1 Market Drivers
9.3.3.2 Historical and Current Market Trends (2019-2024)
9.3.3.3 Market Breakup by Type
9.3.3.4 Market Breakup by Revenue Model
9.3.3.5 Market Breakup by Application
9.3.3.6 Key Players
9.3.3.7 Market Forecast (2025-2033)
9.3.4 South Korea
9.3.4.1 Market Drivers
9.3.4.2 Historical and Current Market Trends (2019-2024)
9.3.4.3 Market Breakup by Type
9.3.4.4 Market Breakup by Revenue Model
9.3.4.5 Market Breakup by Application
9.3.4.6 Key Players
9.3.4.7 Market Forecast (2025-2033)
9.3.5 Australia
9.3.5.1 Market Drivers
9.3.5.2 Historical and Current Market Trends (2019-2024)
9.3.5.3 Market Breakup by Type
9.3.5.4 Market Breakup by Revenue Model
9.3.5.5 Market Breakup by Application
9.3.5.6 Key Players
9.3.5.7 Market Forecast (2025-2033)
9.3.6 Indonesia
9.3.6.1 Market Drivers
9.3.6.2 Historical and Current Market Trends (2019-2024)
9.3.6.3 Market Breakup by Type
9.3.6.4 Market Breakup by Revenue Model
9.3.6.5 Market Breakup by Application
9.3.6.6 Key Players
9.3.6.7 Market Forecast (2025-2033)
9.3.7 Others
9.3.7.1 Historical and Current Market Trends (2019-2024)
9.3.7.2 Market Forecast (2025-2033)
9.4 Latin America
9.4.1 Brazil

9.4.1.1 Market Drivers
9.4.1.2 Historical and Current Market Trends (2019-2024)
9.4.1.3 Market Breakup by Type
9.4.1.4 Market Breakup by Revenue Model
9.4.1.5 Market Breakup by Application
9.4.1.6 Key Players
9.4.1.7 Market Forecast (2025-2033)
9.4.2 Mexico
9.4.2.1 Market Drivers
9.4.2.2 Historical and Current Market Trends (2019-2024)
9.4.2.3 Market Breakup by Type
9.4.2.4 Market Breakup by Revenue Model
9.4.2.5 Market Breakup by Application
9.4.2.6 Key Players
9.4.2.7 Market Forecast (2025-2033)
9.4.3 Others
9.4.3.1 Historical and Current Market Trends (2019-2024)
9.4.3.2 Market Forecast (2025-2033)
9.5 Middle East and Africa
9.5.1.1 Market Drivers
9.5.1.2 Historical and Current Market Trends (2019-2024)
9.5.1.3 Market Breakup by Type
9.5.1.4 Market Breakup by Revenue Model
9.5.1.5 Market Breakup by Application
9.5.1.6 Market Breakup by Country
9.5.1.7 Key Players
9.5.1.8 Market Forecast (2025-2033)
9.6 Attractive Investment Proposition by Region

10 Global Webtoons Market – Competitive Landscape
10.1 Overview
10.2 Market Structure
10.3 Market Share by Key Players
10.4 Market Player Positioning
10.5 Top Winning Strategies
10.6 Competitive Dashboard
10.7 Company Evaluation Quadrant

11 Profiles of Key Players
11.1 Izneo (Fnac Darty)  

11.1.1 Business Overview
11.1.2 Services Offered
11.1.3 Business Strategies
11.1.4 SWOT Analysis
11.1.5 Major News and Events
11.2 Kakao Corp.
11.2.1 Business Overview
11.2.2 Services Offered
11.2.3 Business Strategies
11.2.4 Financials
11.2.5 SWOT Analysis
11.2.6 Major News and Events
11.3 Lezhin Entertainment Inc. (KidariStudio Inc.)
11.3.1 Business Overview
11.3.2 Services Offered
11.3.3 Business Strategies
11.3.4 SWOT Analysis
11.3.5 Major News and Events
11.4 Naver Webtoon Corp. (Naver Corporation)
11.4.1 Business Overview
11.4.2 Services Offered
11.4.3 Business Strategies
11.4.4 SWOT Analysis
11.4.5 Major News and Events
11.5 NHN Corp.
11.5.1 Business Overview
11.5.2 Services Offered
11.5.3 Business Strategies
11.5.4 Financials
11.5.5 SWOT Analysis
11.5.6 Major News and Events
11.6 Shueisha Inc.
11.6.1 Business Overview
11.6.2 Services Offered
11.6.3 Business Strategies
11.6.4 SWOT Analysis
11.6.5 Major News and Events
11.7 SideWalk Group 
11.7.1 Business Overview
11.7.2 Services Offered
11.7.3 Business Strategies
11.7.4 SWOT Analysis
11.7.5 Major News and Events
11.8 Tappytoon
11.8.1 Business Overview
11.8.2 Services Offered
11.8.3 Business Strategies
11.8.4 SWOT Analysis
11.8.5 Major News and Events
11.9 Toomics Global Co. Ltd.
11.9.1 Business Overview
11.9.2 Services Offered
11.9.3 Business Strategies
11.9.4 SWOT Analysis
11.9.5 Major News and Events
11.10 ToryWorks Co. Ltd.
11.10.1 Business Overview
11.10.2 Services Offered
11.10.3 Business Strategies
11.10.4 SWOT Analysis
11.10.5 Major News and Events

Kindly note that this only represents a partial list of companies, and the complete list has been provided in the report.

12 Global Webtoons Market - Industry Analysis
12.1 Drivers, Restraints, and Opportunities
12.1.1    Overview
12.1.2    Drivers
12.1.3    Restraints
12.1.4    Opportunities
12.1.5    Impact Analysis
12.2 Porters Five Forces Analysis
12.2.1    Overview
12.2.2    Bargaining Power of Buyers
12.2.3    Bargaining Power of Suppliers
12.2.4    Degree of Competition
12.2.5    Threat of New Entrants
12.2.6    Threat of Substitutes
12.3 Value Chain Analysis

13 Strategic Recommendations

14 Appendix

ウェブトゥーン市場レポートタイプ別(コメディ、アクション、SF、ホラー、ロマンス、その他)、収益モデル別(サブスクリプションベース、広告ベース)、アプリケーション別(モバイル、ラップトップ、タブレット、テレビ)、地域別 2025-2033
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