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Mercado del anime por fuente de ingresos (televisión, cine, vídeo, distribución por Internet, merchandising, música, pachinko, entretenimiento en vivo) y región 2024-2032
Report Format: PDF+Excel | Report ID: SR112024A13659
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1 Prefacio
2 Ámbito de aplicación y metodología
2.1 Objetivos del estudio
2.2 Partes interesadas
2.3 Fuentes de ingresos por datos
2.3.1 Principales fuentes de ingresos
2.3.2 Fuentes secundarias de ingresos
2.4 Estimación del mercado
2.4.1 Enfoque ascendente
2.4.2 Enfoque descendente
2.5 Metodología de previsión
3 Resumen ejecutivo
4 Mercado mundial del anime - Introducción
4.1 Panorama general
4.2 Dinámica del mercado
4.3 Tendencias del sector
4.4 Inteligencia competitiva
5 Panorama mundial del mercado del anime
5.1 Tendencias históricas y actuales del mercado (2018-2023)
5.2 Previsiones de mercado (2024-2032)
6 Mercado mundial del anime - Desglose por fuente de ingresos
6.1 T.V.
6.1.1 Panorama general
6.1.2 Tendencias históricas y actuales del mercado (2018-2023)
6.1.3 Segmentación del mercado
6.1.4 Previsiones de mercado (2024-2032)
6.2 Película
6.2.1 Panorama general
6.2.2 Tendencias históricas y actuales del mercado (2018-2023)
6.2.3 Segmentación del mercado
6.2.4 Previsiones de mercado (2024-2032)
6.3 Vídeo
6.3.1 Panorama general
6.3.2 Tendencias históricas y actuales del mercado (2018-2023)
6.3.3 Segmentación del mercado
6.3.4 Previsiones de mercado (2024-2032)
6.4 Distribución por Internet
6.4.1 Panorama general
6.4.2 Tendencias históricas y actuales del mercado (2018-2023)
6.4.3 Segmentación del mercado
6.4.4 Previsiones de mercado (2024-2032)
6.5 Comercialización
6.5.1 Panorama general
6.5.2 Tendencias históricas y actuales del mercado (2018-2023)
6.5.3 Segmentación del mercado
6.5.4 Previsiones de mercado (2024-2032)
6.6 Música
6.6.1 Panorama general
6.6.2 Tendencias históricas y actuales del mercado (2018-2023)
6.6.3 Segmentación del mercado
6.6.4 Previsiones de mercado (2024-2032)
6.7 Pachinko
6.7.1 Panorama general
6.7.2 Tendencias históricas y actuales del mercado (2018-2023)
6.7.3 Segmentación del mercado
6.7.4 Previsiones de mercado (2024-2032)
6.8 Espectáculos en directo
6.8.1 Panorama general
6.8.2 Tendencias históricas y actuales del mercado (2018-2023)
6.8.3 Segmentación del mercado
6.8.4 Previsiones de mercado (2024-2032)
6.9 Propuesta de inversión atractiva por fuente de ingresos
7 Mercado mundial del anime - Distribución por regiones
7.1 América del Norte
7.1.1 Estados Unidos
7.1.1.1 Impulsores del mercado
7.1.1.2 Tendencias históricas y actuales del mercado (2018-2023)
7.1.1.3 Distribución del mercado por fuente de ingresos
7.1.1.4 Actores clave
7.1.1.5 Previsión de mercado (2024-2032)
7.1.2 Canadá
7.1.2.1 Impulsores del mercado
7.1.2.2 Tendencias históricas y actuales del mercado (2018-2023)
7.1.2.3 Distribución del mercado por fuente de ingresos
7.1.2.4 Actores clave
7.1.2.5 Previsiones de mercado (2024-2032)
7.2 Europa
7.2.1 Alemania
7.2.1.1 Impulsores del mercado
7.2.1.2 Tendencias históricas y actuales del mercado (2018-2023)
7.2.1.3 Distribución del mercado por fuente de ingresos
7.2.1.4 Actores clave
7.2.1.5 Previsiones de mercado (2024-2032)
7.2.2 Francia
7.2.2.1 Impulsores del mercado
7.2.2.2 Tendencias históricas y actuales del mercado (2018-2023)
7.2.2.3 Distribución del mercado por fuente de ingresos
7.2.2.4 Actores clave
7.2.2.5 Previsiones de mercado (2024-2032)
7.2.3 Reino Unido
7.2.3.1 Impulsores del mercado
7.2.3.2 Tendencias históricas y actuales del mercado (2018-2023)
7.2.3.3 Distribución del mercado por fuente de ingresos
7.2.3.4 Actores clave
7.2.3.5 Previsiones de mercado (2024-2032)
7.2.4 Italia
7.2.4.1 Impulsores del mercado
7.2.4.2 Tendencias históricas y actuales del mercado (2018-2023)
7.2.4.3 Distribución del mercado por fuente de ingresos
7.2.4.4 Actores clave
7.2.4.5 Previsiones de mercado (2024-2032)
7.2.5 España
7.2.5.1 Impulsores del mercado
7.2.5.2 Tendencias históricas y actuales del mercado (2018-2023)
7.2.5.3 Distribución del mercado por fuente de ingresos
7.2.5.4 Actores clave
7.2.5.5 Previsiones de mercado (2024-2032)
7.2.6 Otros
7.2.6.1 Tendencias históricas y actuales del mercado (2018-2023)
7.2.6.2 Previsiones de mercado (2024-2032)
7.3 Asia-Pacífico
7.3.1 China
7.3.1.1 Impulsores del mercado
7.3.1.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.1.3 Distribución del mercado por fuente de ingresos
7.3.1.4 Actores clave
7.3.1.5 Previsiones de mercado (2024-2032)
7.3.2 Japón
7.3.2.1 Impulsores del mercado
7.3.2.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.2.3 Distribución del mercado por fuente de ingresos
7.3.2.4 Actores clave
7.3.2.5 Previsiones de mercado (2024-2032)
7.3.3 India
7.3.3.1 Impulsores del mercado
7.3.3.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.3.3 Distribución del mercado por fuente de ingresos
7.3.3.4 Actores clave
7.3.3.5 Previsiones de mercado (2024-2032)
7.3.4 Corea del Sur
7.3.4.1 Impulsores del mercado
7.3.4.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.4.3 Distribución del mercado por fuente de ingresos
7.3.4.4 Actores clave
7.3.4.5 Previsiones de mercado (2024-2032)
7.3.5 Australia
7.3.5.1 Impulsores del mercado
7.3.5.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.5.3 Distribución del mercado por fuente de ingresos
7.3.5.4 Actores clave
7.3.5.5 Previsiones de mercado (2024-2032)
7.3.6 Indonesia
7.3.6.1 Impulsores del mercado
7.3.6.2 Tendencias históricas y actuales del mercado (2018-2023)
7.3.6.3 Distribución del mercado por fuente de ingresos
7.3.6.4 Actores clave
7.3.6.5 Previsiones de mercado (2024-2032)
7.3.7 Otros
7.3.7.1 Tendencias históricas y actuales del mercado (2018-2023)
7.3.7.2 Previsiones de mercado (2024-2032)
7.4 América Latina
7.4.1 Brasil
7.4.1.1 Impulsores del mercado
7.4.1.2 Tendencias históricas y actuales del mercado (2018-2023)
7.4.1.3 Distribución del mercado por fuente de ingresos
7.4.1.4 Actores clave
7.4.1.5 Previsiones de mercado (2024-2032)
7.4.2 México
7.4.2.1 Impulsores del mercado
7.4.2.2 Tendencias históricas y actuales del mercado (2018-2023)
7.4.2.3 Distribución del mercado por fuente de ingresos
7.4.2.4 Actores clave
7.4.2.5 Previsiones de mercado (2024-2032)
7.4.3 Otros
7.4.3.1 Tendencias históricas y actuales del mercado (2018-2023)
7.4.3.2 Previsiones de mercado (2024-2032)
7.5 Oriente Medio y África
7.5.1 Impulsores del mercado
7.5.2 Tendencias históricas y actuales del mercado (2018-2023)
7.5.3 Distribución del mercado por fuentes de ingresos
7.5.4 Distribución del mercado por países
7.5.5 Actores clave
7.5.6 Previsiones de mercado (2024-2032)
7.6 Atractiva propuesta de inversión por regiones
8 Mercado mundial del anime: panorama competitivo
8.1 Panorama general
8.2 Estructura del mercado
8.3 Cuota de mercado de los principales actores
8.4 Posicionamiento de los actores del mercado
8.5 Principales estrategias ganadoras
8.6 Cuadro de mando de la competencia
8.7 Cuadrante de evaluación de empresas
9 Perfiles de los principales actores
9.1 Aniplex of America Inc
9.1.1 Panorama empresarial
9.1.2 Cartera de productos
9.1.3 Estrategias empresariales
9.1.4 Análisis DAFO
9.1.5 Principales noticias y acontecimientos
9.2 Bones Inc
9.2.1 Panorama empresarial
9.2.2 Cartera de productos
9.2.3 Estrategias empresariales
9.2.4 Análisis DAFO
9.2.5 Principales noticias y acontecimientos
9.3 Crunchyroll
9.3.1 Panorama empresarial
9.3.2 Cartera de productos
9.3.3 Estrategias empresariales
9.3.4 Análisis DAFO
9.3.5 Principales noticias y acontecimientos
9.4 Kyoto Animation Co. Ltd.
9.4.1 Panorama empresarial
9.4.2 Cartera de productos
9.4.3 Estrategias empresariales
9.4.4 Análisis SWOT
9.3.5 Principales noticias y acontecimientos
9.5 Madhouse Inc
9.5.1 Panorama empresarial
9.5.2 Cartera de productos
9.5.3 Estrategias empresariales
9.5.4 Análisis DAFO
9.5.5 Principales noticias y acontecimientos
9.6 P.A. Works Inc.
9.6.1 Panorama empresarial
9.6.2 Cartera de productos
9.6.3 Estrategias empresariales
9.6.4 Análisis DAFO
9.6.5 Principales noticias y acontecimientos
9.7 Pierrot Co. Ltd
9.7.1 Panorama empresarial
9.7.2 Cartera de productos
9.7.3 Estrategias empresariales
9.7.4 Análisis DAFO
9.7.5 Principales noticias y acontecimientos
9.8 Shout! Factory LLC
9.8.1 Panorama empresarial
9.8.2 Cartera de productos
9.8.3 Estrategias empresariales
9.8.4 Análisis SWOT
9.8.5 Principales noticias y acontecimientos
9.9 Studio Ghibli Inc.
9.9.1 Panorama empresarial
9.9.2 Cartera de productos
9.9.3 Estrategias empresariales
9.9.4 Análisis SWOT
9.9.5 Principales noticias y acontecimientos
9.10 Toei Animation Co. Ltd.
9.10.1 Panorama empresarial
9.10.2 Cartera de productos
9.10.3 Estrategias empresariales
9.10.4 Datos financieros
9.10.5 Análisis SWOT
9.10.6 Principales noticias y acontecimientos
9.11 VIZ Media LLC (Shogakukan-Shueisha Productions Co. Ltd)
9.11.1 Panorama empresarial
9.11.2 Cartera de productos
9.11.3 Estrategias empresariales
9.11.4 Análisis SWOT
9.11.5 Principales noticias y acontecimientos
Tenga en cuenta que esta es sólo una lista parcial de empresas, y que la lista completa figura en el informe.
10 Mercado mundial del anime: análisis de la industria
10.1 Motores, limitaciones y oportunidades
10.1.1 Panorama general
10.1.2 Impulsores
10.1.3 Limitaciones
10.1.4 Oportunidades
10.1.5 Análisis de impacto
10.2 Análisis de las cinco fuerzas de Porters
10.2.1 Panorama general
10.2.2 Poder de negociación de los compradores
10.2.3 Poder de negociación de los proveedores
10.2.4 Grado de competencia
10.2.5 Amenaza de nuevos competidores
10.2.6 Amenaza de sustitutos
10.3 Análisis de la cadena de valor
11 Recomendaciones estratégicas
12 Apéndice
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